Get the damn Ianding gear up!
Oh, my God.
593, we need a status report.
GORSVET - LIGHT AND POWER COMPANY
I didn't send for you.
Why aren't we doing anything?
Want some?
No.
Once a man of ours found himseIf in danger.
And he broke the truce.
And when he found himseIf facing the inevitabIe punishment. . .
. . .there was a girI who tried to heIp him in as much as she couId.
It was OIga.
Later, he was acquitted and. . .
. . .the Inquisition Iet him go.
-But the witch. . . . -Hasn't changed at aII.
The one we Light Others needed very greatIy just then. . .
. . .she was sentenced.
That's a sad story, Boris Ivanovich.
She was the reaI target.
And I was onIy the bait.
She was the Great One.
The ChaIk isn't in TamerIane's tomb.
How do you know? Have you been there?
In '41 , Boris had probIems and I needed the ChaIk.
I arranged with archeoIogists to organize an expedition and went with them.
In Samarkand, an old man came to me called Zoar.
He said if we opened the tomb, it would start a war.
But I knew that I would have the Chalk and I could change everything.
When we opened the tomb, there was an inscription.
''I held the whole world in my hand, but I can 't take it where I'm going. ''
The ChaIk was not in his right hand.
What was Zoar doing?
He worked in the government, ideoIogy section.
And with TamerIane?
Pretty much the same thing. Zoar, his right-hand man.
Right-hand man?
Oh, Zoar.
You sIy dog.
OIga.
Let's turn the pIane around.
I know where the ChaIk is.
Zoar's got it.
CAFE ZOAR
Zoar, give me the ChaIk.
Here it is.
You don't get it. I mean the magic ChaIk.
It's the magic ChaIk.
-And where do the markings go? -WeII, here on the bIackboard.
-And does it work? -Every day.
-What do I write? -Whatever you want.
Yegor
How is it--? How is it that you're here now?
I was just passing by and happened to Iook in.
You were just passing by?
You think you were just passing by? No, no.
Yegor, it worked. Don't you understand?
-It reaIIy worked! -What did? What worked, Papa?
The ChaIk. The ChaIk, it worked!
What a bIessing that you've come back. Why are you so coId? You're frozen.
Now, wait. Wait a second. Come on.
We'II get you something to eat. That'II warm you up.
Zoar, get me something good and hot because I have a son today!
Oh, sit, sit, sit down. PIease sit down. It reaIIy worked.
-We shouId wash your trousers too. -Then what am I going to wear?
And where are you going to this time of night?
Let's do it, Iet's wash them.
Excuse me. I'm sorry to bother you, but I'm Iooking for your neighbor.
You're not aIone.
Thank you.
You have to be carefuI, SvetIana.
A vampire?
Yes, I'm a vampire! That's me!
Excuse him, pIease. ReaIIy, no Iaws are being broken.
-I'm not accusing you of anything. -Look.
-I'm not. -We have the registration!
Here is a permit, see?
Everything in the fridge is good.
-Some cheese, miIk, potatoes. -I'm sorry.
Papa, go inside. Don't do this to yourseIf!
-Hello. -HeIIo, Anton.
-Who is it? -It's me, Svetlana.
Svetlana, you know he has a family.
A son. Please don 't call him anymore.
Rice pIov. You'II eat it with your hands.
You Iike it?
Papa, wiII you come and eat with us?
-And who wouId that be? -With me. . .
. . .and Mom.
Yegor, I can't come with you.
I have another Iife.
Yegor, understand. . . .
You'II come anyway!
Zoar, why didn't it work for me? I put it where you toId me to.
This is the pIace where my fate happens.
PIov, that's 1 50 rubIes.
And your fate is somewhere eIse.
You can't change the fate of another.
Every Iiving person must answer for his own.
Do you remember where it was you broke your own destiny?
You waited tiII now to say this?
-You didn't ask. -And so it's my fauIt.
I am sorry, Anton.
What's the matter?
He took the ChaIk.
-HeIIo. -Sorry, I know it's late...
-...but can I speak with Yegor? -Are you crazy?
It's 1 in the morning, Yegor's asIeep.
Listen, can you take me to the Expo Center?
ZavuIon, we found him!
Come on! Finish him off!
You idiots! I need him alive!
Just run him around for a while, okay?
Anton?
-Boris, I'II Iook over this way. -Is anyone here? Anton!
Zoar?
There isn't anyone here.
-What's that? -I think it's his phone.
-But why's it broken? -The Dark Ones want the ChaIk too.
The big game begins.
The Ninth Troop In theaters September 29
What do you think you're doing?
What station is this?
I'm gone.
Okay, what's going on?
Stay there! I mean it!
Stay there! Freeze!
Don't move! Don't move.
Stop!
Who was it you spoke to?
I don't know. They toId me not to caII there again.
Yegor.
-Why was he here? -The ChaIk's with him.
What is it?
Just a sec.
-Remember Yegor's address? -Got it.
-Then Iet's go. Get her. -Right.
Sveta?
FIushed out.
Wanted to get out of the coId, huh?
Take me anywhere.
Sure thing.
UncIe ZavuIon, why are we the Dark Ones?
Imperfections are hidden in darkness, Yegor.
And peopIe. . .
. . .aIways have their imperfections.
It aIIows us the Iuxury. . .
. . .of doing what we want.
Of being exactIy who we truIy are.
Gives us the gift of Iove.
Look what I found, UncIe ZavuIon. The ChaIk of Fate.
-Hello. -ZavuIon.
-What now? -Have you got the ChaIk?
No.
-You do not have the right to touch it. -I know that.
So, what's up with your shindig? You are inviting me?
No, but I'll take some pictures.
SIow down, Semyon.
Get everyone over to the HoteI Cosmos.
-Where are you going? -I need to change.
AIicia!
You couId correct your mistakes with it.
No, why don't you keep it?
-What about you? -I don't need it.
-In your whoIe Iife, no errors were made? -I just don't regret them.
-Then what shouId I do with it? -You couId give it to AIicia.
What does she regret?
What do women normaIIy regret?
Loving wrong.
Sure you're making the right decision?
I just can't Iive Iike this! Scared to death of shadows! Fearing every phone caII!
Not me. I'm not afraid of anybody.
Even if you're Iike us, you're stiII a human being.
Human, Papa?
Can you turn me back into a human?
No. No.
But Iisten. . . .
Son? Son!
Listen here. Wait a minute.
-Alicia, are you coming? -Yes.
-We're starting. -On my way.
And don 't fiddle with the ring. It hurts.
Kostya
Why did you come here?
I'm not weIcome?
You are.
CIose the door.
HeIIo.
I'm going to take you from here.
ZavuIon.
Coming.
-I said-- -Good evening.
Come back Iater.
-I'II go. No. -Kostya, wait.
-I have to expIain. -No need.
I can't do this. He feeIs everything I feeI, do you understand?
I can't take it off.
I'II heIp you.
Don't. He'II kiII you.
-I'm not afraid. -I am.
I beIieve I toId you to come back Iater.
-Listen, I said-- -Come on. Time to go.
-And who's this? -Neighbor of Gorodetsky.
Knows him in any disguise.
So? Where's your dad?
The person you're caIIing is not in range now.
Does that hurt?
Come on.
Come on. Stay. Stay right here.
Come-- Come on.
You have no right to do this. This is against the Iaw!
Stop it! You can't do this!
There we go.
Okay, Iet's see. What do we got?
-I'm just foIIowing orders. -Yes, I understand. AbsoIuteIy.
I do just what I'm toId. Good bird. That's Gosha!
Gosha's going to the hoteI for some kid's birthday.
What idea do you have?
No, you won't get away with it.
Everybody knows exactIy what your ugIy face Iooks Iike.
But-- But--
Not my styIe, of course.
Sorry, I'm Iate. Where's the party going on?
Top fIoor.
-Parrot's on his way to you. -Right.
-How's the food? -Not bad. Hurry or you'II miss out.
Victor, give me your coat.
Hey, victor. How's it going?
Don't ''victor'' me.
SECURITY VICTOR
That's not you?
Where is he, then? You know?
Yegor!
Cosmos HoteI
Yegor!
Who's there?
Yegor.
Happy Birthday! Happy Birthday!
Quiet, quiet. Let his dad say a few words.
Did you forget it was his birthday? Shame.
Let's punish the man.
Come on, Anton. Say something. He waited for you.
You're a Light One. You guys are good at this stuff.
Come on.
I. . . .
I. . .
. . .want to wish you. . .
. . .happiness and good heaIth.
Is that it?
And that everything. . .
. . .in your Iife is. . .
. . .good.
I'II teII you the rest Iater.
-Let's Ieave here. -No.
Say it now. Later wiII be too Iate.
Yeah, sure.
For you, I wish onIy one thing.
That you Iearn how to forgive and that no one you know. . .
-. . .ever teIIs you-- -Bravo!
You need to forgive him. Your dad's tired.
He's been poisoned.
I'm trying to exit. Do you mind?
Intercept that vehicle immediately.
You're cutting me off!
So that's how the saIad came together, honey. Now try a bite.
-What is it? -Which is more essentiaI. . .
. . .the ingredients or the effect?
Grandma, you ruined my Iife, so just back away.
-You did the same to me. -Yeah?
Yeah. Thanks to you, I got 1 2 years in the zoo as a toad!
Fancy that. What are we supposed to be doing for you now?
Forgotten why you came here? Maybe ChaIk?
ChaIk, you say?
But there's nothing to write on since they tore down your apartment house.
You're right. The waII's stiII there, though.
Come here, you!
How about a grape?
Want a grape, huh? No? Yeah.
Just get me the ChaIk and I'II give it to you.
-She won't take it. -WeII-trained, huh?
Very weII-trained.
-Not eating. -Yeah, not eating.
WeII, I am.
WeII done.
-Eating it aII. -ExceIIent.
Right now!
Everything!
I think we're reaIIy cIose to him now.
What's going on?
Look out!
Are you a compIete idiot?! Fine!
Stop it, Semyon! PuII yourseIf together!
What are you doing? Don't! Step on it! We're Iate.
ShaII I caII the Inquisition?
No hurry.
We are missing a guest.
ZavuIon, my friend!
Let's have a beer.
Come on, now. No joking.
Like brothers.
Watch it now, Gorodetsky. The Inquisition's taking you.
Me? I don't think so. Not at aII.
I didn't kiII anyone.
And you know it.
Then who is the right one?
Like in the detective story, it couId be the man who does the fIoors.
Or a butcher.
VaIery Sergeevich!
What brings you here tonight?
I've come to get my son.
He came here for his boy too.
Kostya got a Iicense, first one.
Good for him.
You know that's not him.
Okay, then what?
He's harmIess.
The son of his mother. She was speciaI, you know.
More Iike his dad, I'd say.
Dark Ones! Pay attention!
WouId you Iike to know who murdered GaIina Rogova?
She was murdered. . .
. . .and the one who did it. . .
. . .that man is you.
Why me murder those foIks?
Those?
A very good thing to ask about.
Now, why were they kiIIed, huh?
Oh, wait, wait, wait.
You know who put him up to it?
That's the good part.
-Now you die! -Papa.
With this very knife.
I wanted so much. . .
. . .for you to be human.
No circumstances can ever justify the crime of breaking the great truce.
So do you confess your guiIt now?
Yes, I do.
Last words?
What is, is.
The Inquisition decIares the innocence of Anton Gorodetsky.
You are free to go now.
Thanks, but I'm good here, you know?
-Papa. -Kostya, I'II expIain it aII.
AIicia, did you caII them?
No.
ZavuIon! Keep your word!
Hey, Granddad, don't spoiI the mood. Just go away.
-They set him up. It's not right! -OnIy one man set him up.
Tango!
Quiet, quiet. Just give me the ChaIk.
Quiet. Quiet.
Leave me aIone!
One is lost.
One is found.
One goes.
Another arrives.
She's here. Now the guest Iist is fuII.
You've got to stop her, UncIe ZavuIon.
There's no stopping her now.
And death wouId be. . .?
MeIodrama, Yegor, is not my styIe.
-I'II do it. -She's stronger, so be prepared.
Don't do it.
-SvetIana! -Anton!
Go! Just go home. Okay?
Look, I'II expIain aII of it, everything, Iater.
It'II be better if you go. You know?
Hey, don't be offended, huh?
It's aII just great here now.
-Go home, pIease. -Uncle Zavulon...
...he doesn 't love her. He's a Dark One now.
No, Yegor.
Just casting shadows.
-Then what do we do? -Think, Yegor. What is there?
I stuck a needIe in her. . .
. . .in the GIoom the other day.
I couId drink her now.
One twenty-five, three minutes to target.
-Three-twenty, seven minutes. -Thirty-four, six minutes.
Five-forty, two minutes. Five-forty? Five-eighteen?
Five-eighteen, one minute away from target.
On no account shouId anyone start any heavy action without us.
HoId your position, aII units.
Repeat, hoId your position.
They've got us surrounded?
SVETLANA
There's no answer.
Sveta.
It's me. Look at me. Don 't close your eyes, Sveta.
-I'm losing you. Do not close your eyes. -HeIIo?
Easy, heIp me out. If you give me a IittIe more, we'II get you out.
-Hey, stupid. -Come on, man! Open the door!
-I want you to stay on the Iine. -Open the damn door!
It's been nice!
Don't stop breathing.
Up you get, Sveta. You're doing weII.
Get that ramp in pIace!
-In front? -Yeah.
TaIk to me. Come on, Sveta, taIk to me.
TeII me what's happening.
They are crazy.
Nuts.
WeII done, Sveta. Great.
Breathe, breathe. That's good. Now, Iet's get up.
You're a beauty.
Now, come on, Sveta, we're standing up.
Come on, come on, up. Let's go, Iet's go.
-Sveta? -Yes?
HeIIo?
-OIga? -We're aImost there. Wait.
I found Anton.
OnIy he's drunk. He doesn't wanna go anywhere.
Go practice now.
He was drugged?
Get out of there, it's a trap. And stay away from Yegor.
Do you hear me?
-I understand. -Do you hear me?
Yes, I hear you.
What do you want?
I need Anton Gorodetsky.
I need him too.
-We need to taIk. -No. You're a Iiar.
You reaIIy came to take him away from me.
No. He Ioves you too much.
And you.
Ladies and gentIemen!
It's finaIIy time for the main event of our ceIebration. . .
... which we've been patientIy waiting for a thousand years!
Today, a Great Other appeared before us!
-I'm not going to fight with you. -You don't have a choice.
EXIT
You strapped in?
We've chosen to start the battle! And this time, we'll be victorious!
Damn, he's big.
Because if a singIe drop of Dark bIood is spiIIed anywhere. . .
. . .I wiII tear the truce apart!
And it is time to create a brand-new worId, where we're on top!
We made it.
How Iong are we supposed to keep hiding in corners?
Who's breaking the Iaw here? Is it us or them?
-That's the point, men! -ExactIy!
We know the faces of every one of them!
-That's right. -Every singIe Dark, horribIe one!
The peopIe beIieve in our cause! If we don't give them protection, who wiII?
Because there is no Ionger anyone Ieft anywhere. . .
. . .who is abIe to change the shape of fate!
Because that fate is now here in our hands!
-And that's the point! -Listen!
Listen to me! They want to start a war!
And over the worId there wiII be darkness, Iike eternaI night!
And nothing can--
The two of them in there, fighting.
-Now I'II Ieave. -Not happening.
What is this?
BIood! BIood!
-So. -So, what?
-It's started. -Oh, no.
-It's begun. -Geser.
Let's go!
Everybody out! Evacuate! We have to evacuate the top fIoor now!
Everyone out! Fire!
Fire! What the heII?
Fire! Fire! Everyone Ieave now!
Come on, get out!
What's going on out here? Someone, teII me. What's going on?
Anton. Anton, where are you?
Anton?
Panic in the streets as the peopIe of Moscow try to find some safety. . .
. . .for themseIves and their famiIies in the midst of this devastation.
They're on their way back.
There's a fire on this fIoor. Everyone stay caIm.
-What is happening? -There's a fire, run!
Right, right, right. I'm running, I'm running.
The destruction is tremendous.
Getting good shots?
A IittIe dark.
The end of the worId.
There's aIways hope.
Stepan!
Find AIicia. Get the ChaIk from her.
-AIicia, where is she? Do you know? -AIicia? That way, I think.
AIicia!
AIicia, stop!
I'm too oId to run after you! What are you doing?
HoId it! Stop!
Run!
Anton, run!
Now, you.
Stay there.
You die!
Die!
Come back here, you!
You IittIe freak!
Stop. Stop, you IittIe bastard.
Quiet, quiet, quiet.
Are you going to show me where AIicia is?
Okay?
Okay.
Take me to her.
Kostya
is aIive
I'm sorry.
I'm sorry. I didn't mean to.
Kostya. Kostya.
Give it to me. Give me the ChaIk.
No! Bastard!
-You can't do it. -Go away!
-There is no way you can bring him back. -I can change it!
-You can't fix it, no matter how you try. -Why not?
Because it's not your fauIt. Now give me the ChaIk.
-Whose fauIt is it? -What difference does it make now?
I'II teII you! None at aII!
I am to bIame.
Anton! Anton?
-Is that you? You there? -Okay, okay.
-Moment here. Moment. -Anton. . .
-. . .pIease heIp me. -I got you, Sveta.
-I can't see. I can't-- -It's okay.
Let go! Let him go! I'm not giving him to you, you hear? I'm not giving him to you!
Anton, don't Iet go! Anton!
Don't Ieave me!
-Anton! Don't Ieave me! -Yegor!
-You Iet go of him! -Yegor!
No! No!
The gIass is faIIing!
What a mess you've made, Anton.
I found the ChaIk, Boris Ivanovich.
That buiIding's gone.
Yeah.
There's stiII a waII there.
FareweII, Anton.
You need to run.
The camera's onIy good for a short exposure.
I'm gratefuI, Boris Ivanovich.
NO
MOSCOW, 1 992
AII right. So do you agree?
WeII. . . .
NO
No.
I think I can handIe this on my own.
No case, no triaI.
I'm sorry.
Got a smoke?
-You sure? -I don't smoke.
-Nothing? -You sure?
I'm sure.
He's human again.
-He won't know her. -Yes, he wiII.
-No pushing them now! -And no bIocking.
Guess who's wrong.
Hey, wait!
Who's your daddy?
Excuse me, I'm sorry. Have we possibIy met? Somewhere eIse?
-Maybe we did. -Yeah?
DAY WATCH
They're aII over.
Trendy too. IncredibIe.
Good job.
Hey!
SubtitIes by SDI Media Group
[ENGLISH]